Hey you know those people that act like they don’t care that it’s Friday cuz they love their job so much. They’re all a bunch of liars. TGIF bitches.
Lately I’ve noticed myself falling back into the same rut that goes a little like this:
Make something > post to various channels > obsessively monitor likes/shares/retweets/etc…
But you know what? Fuck that. I’m over seeking validation through social media. Which got me thinking… why do I make? It’s a good question that I don’t really have an answer for. On some basic level, it’s in my nature and lineage. My father is a builder. His father is a builder, my other grandfather a farmer and my great-grandfather a mechanic. It’s in my midwest blood.
Creating, whether it’s sketching, drawing, writing, photography, or design provides an outlet. However, with the advent of social media, it seems like we subject our works to undue standards and criticism. We use likes and shares as a measure of success and even let it influence what we create, “Will this get x-many likes?” – and if not, we don’t make it. Like I said, fuck that.
While social is a great tool for distribution and connection, it’s terrible for creativity. Instead of making for ourselves, we now have a world-wide audience at our fingertips that we’re constantly trying to please. It’s design by committee to the max, and even worse, it provides infinite opportunities to measure ourselves and work against our peers. And nothing good ever comes from measuring yourself against others. We all do it on some level, but seriously, it’s the worst.
Here’s what I’m proposing; before making, ask yourself ‘If no one ever saw this, would I still make it?’ I know as creative-types (cringe) we crave validation which often comes when people use or find inspiration in our work, however, I’m confident that if we’re truly making for ourselves and not for the internet, this will become organic over time.
Also, quit checking social notifications. You’re not missing out on anything, I promise.
Further Reading: Jeff Tweedy on Doing What You Love
It’s un-officially desert season in Utah, and as such, we took advantage of the weekend and fled the Wasatch in search of red rock and campfire shenanigans. Which, as it turns out, they dish out in spades up on Gooseberry Mesa.
If you enjoyed this post, check out my Ode to Fall.
A few months back I committed to showing my work. Well it’s safe to say that I failed miserably, however I am quite excited about a project I’ve been working on for the past few weeks and decided it would be a good time to start sharing my process again.
The project is an identity system for SCPW and in the initial brief, we established that we wanted the brand to have a very mid-century utility aesthetic, inspired by union seals and power & light companies before they had goofy names like Xfinity, Cinergy, Verizon, etc… It’s always helpful when the client comes to the table with a strong idea of what they want as it provides some solid constraints from the get-go making the designers job much easier.
Often the first step of an identity project is to get a concept in place, however, since we established this in the creative brief I can jump right into the research phase. During the research or inspiration phase, I like to create a mood board that reflects the look and feel I’m after. Pinterest is an excellent tool for this, and allows you to work in the open, which helps keep lazy designers honest and own their inspiration.
Once I have a good grasp on the visual I’m after, the next step is to create a couple dozen rough thumbnail sized sketches based off the mood board. Once I have narrowed these roughs down to a solid two or three directions, I’ll not look at the mood board again until after the identity comes into it’s own. We’ll cover the roughs stage more thoroughly in the second part of this process series, so for now, head over and check out the mood board for SCPW on Pinterest.
I think the only reason I’ve had the career life that I’ve had is that someone told me some secrets early on about living. You can do the very best you can when you’re very, very relaxed, no matter what it is or what your job is, the more relaxed you are the better you are. That’s sort of why I got into acting. I realized the more fun I had, the better I did it. And I thought, that’s a job I could be proud of. It’s changed my life learning that, and it’s made me better at what I do.
Bill Murray via Trent Walton
The otherwise aloof Bill Murray has been out-and-about lately promoting his new movie St. Vincent. He has some very wise words about doing good work. I heard him on Howard Stern recently where he echoed his above sentiment. Basically he’s built his career on his own terms, opting out of otherwise lucrative roles and ventures where he wouldn’t have had a voice or the freedom to own it and make it his.
The fact that this trail exists and as of last Saturday I had never ridden it is a testament to the sheer abundance of world-class bike access we have in Utah. The Strawberry Narrows trail is worth every bit of the drive from Park City and features epic scenery complete with alpine lakes, golden aspen groves, and sprawling mountain vistas. Combine with man’s best riding buddy, a favorite adventure companion, and trail brews and you have the makings for one helluva way to spend an idyllic fall Saturday afternoon. Home Depot can shove it for all I care.
If you’re not worried about packing the house because you can’t make your rent, then you can have a lot of fun. If people come, fine. If they don’t, fuck them.
Via Austin Kleon